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Now should I say that hearing this tune played with this expression is in itself that particular experience of pastness, or should I say that hearing the tune causes the feeling of pastness to arise and that this feeling accompanies the tune? I.e., can I separate what I call this experience of pastness from the experience of hearing the tune? Or, can I separate an experience of pastness expressed by a gesture from the experience of making this gesture? Can I discover something, the essential feeling of pastness, which remains after abstracting all those experiences which we might call the experiences of expressing the feeling?

(2015–) Wittgenstein Source Bergen Nachlass Edition (WS-BNE). Edited by the Wittgenstein Archives at the University of Bergen under the direction of Alois Pichler. In: Wittgenstein Source, curated by Alois Pichler (2009–) and Joseph Wang-Kathrein (2020–). (N) Bergen: WAB.

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